How To Write A Good Battle Scene. Like i said before, your style is going to impact your prose, which will impact exactly what your fight scenes look like. But if you add too much, it’s going to turn from a battle scene to your character observing a battle scene.
How to write a fight scene in a novel from heavenlybells.org
Hear cries of pain, the clanging of swords, the roar of cannon, and smell the stink of sweat and blood. The fight between hector and achilles in homer’s the iliad. Using each sentence as either a macro or a micro viewpoint, switching between both— macro > micro > macro > micro —can be a very effective way of communicating the style and flow of a fight scene.
5 Keys To Writing Epic Battle Scenes 1.
Most of the stuff i write is in first person, and depending on who’s telling the story it varies from fond memories of a sociopathic professional who’s got an armor advantage and a machine gun posted up on a burm with demonic hords charging him and his buddies, to. These can either help or kill you. Think about a fight scene in a novel or short story that you found effective and full of action.
Heavy Focus On Big Percussion And Epic Choirs, With A Lot Of Drive Coming From Many Tracks Of Ostinatos, Staccato Chords And Stabs Etc.
The same rule applies to fight scenes. Show what needs to be shown to make the reader feel the danger. The key to an epic battle scene is remembering the goal each side is fighting for.
Fight Sequences Are Meant To Be Tense, Punchy, And Exciting.
You also want to read other examples such as: To make the experience exciting and moving, it’s best to stick to the perspective of a single fighter. The land all around was full of movement.
The Fight Between Hector And Achilles In Homer’s The Iliad.
The biggest challenge in writing a battle scene is the point of view. They’ve seen enough fight scenes on the big screen to fill in the gaps. Don’t just say the fighting is fierce.
Use One Line Per Camera Shot.
More important than the battle itself is the build up and the consequences of the outcome. Using each sentence as either a macro or a micro viewpoint, switching between both— macro > micro > macro > micro —can be a very effective way of communicating the style and flow of a fight scene. You can always trim it afterwards.
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